Eugene Onegin, the protagonist of the eponymous Pushkin's novel in poetry - a difficult personality. Some literary critics believe that Pushkin wrote the image of Onegin from himself, but this is not so. This is most likely a collective image. Pushkin observed his contemporaries and made some generalizations. The poet's friends could well have been among the prototypes.
Education of Onegin
There was nothing unusual or special about his upbringing and education. He was brought up like most of the nobles of his time:
The fate of Eugene kept:
First Madame followed him
After Monsieur changed her.
The child was sharp, but sweet.
The last line should be understood in such a way that little Eugene was a playful and frisky child, but charming and sweet. Maybe even affectionate, and many pranks were forgiven him. But the kid grew up, and then his upbringing was entrusted to the tutor.
Monsieur l'Abbe, poor Frenchman,
So that the child is not exhausted,
Taught him everything jokingly
I didn’t bother with strict morality ...
Finally, the time has come for rebellious youth, Eugene appeared in secular society.
He's completely French
Could speak and write;
Easily danced the mazurka
And bowed at ease;
He knew how to keep the conversation going. His education "something and somehow" was enough to
The world decided
That he is smart and very nice.
Connoisseur of the "science of tender passion"
Pushkin does not talk about Onegin's first love. He does not know suffering, passion.
But in what he was a true genius,
What he knew more firmly than all sciences,
What was madness for him
And labor, and flour, and joy,
What took all day
His melancholy laziness, -
There was a science of tender passion.
He was a good actor, manipulated women's hearts, destroyed rivals in their eyes, slept with other people's wives and at the same time remained on good terms with their husbands. In the science of "gentle passion" he almost always got his way.
By the age of 26, when the events of the novel unfold, he was bored with a monotonous life, balls and dragging behind skirts, but he did not know how to do anything else and did not strive to be able to. So when the news of his uncle's illness came, he was glad of the change of scenery, but depressing was the role of caring nephew, which he feared he would have to play for who knows how long. But he was lucky. Eugene went straight to the funeral.
Onegin in the village
Perhaps, when he went to the village, he made some plans for its economic transformation and development, but he limited himself only to replacing the corvee for his peasants with dues. And this is his interest in agriculture faded away. He did not seek to communicate with the petty nobility, although
At first everyone went to him;
But since from the back porch
usually served
Him don stallion,
Only along the main road
Their home drogs will hear them.
Neighbors cut off contact with him. True, almost simultaneously with Onegin appeared in the district. He was 8 years younger and looked at life through rose-colored glasses. Onegin was somewhat condescending towards Lensky, although this did not prevent them from making friends.
They agreed. Wave and stone
Poetry and prose, ice and fire
Not so different from each other.
First, mutual differences
They were boring to each other;
Then they liked it; Then
They rode every day.
Lensky introduced Onegin to the Larins' house, where they spent the whole evening. Onegin noticed a sad, silent one, but she did not touch his spiritual strings. He did not like the puppet appearance at all. Village conversations were not at all interesting to him. Therefore, after the first visit, he did not think about this family for a long time.
On Tatyana, who had read French novels, on the contrary, Onegin made a deep impression. He was impeccable in everything: in clothes, secular manners, hair. He did not change his pedantic attitude towards his own appearance even here in the village. Maintained, as they say now, physical form, was an attractive and stately young man.
He was forced to come back to the Larins by a letter from Tatyana, handed over by a yard girl, the granddaughter of a nanny. Onegin considered it his duty to explain himself to Tatyana.
But I'm not made for bliss;
My soul is alien to him;
In vain are your perfections:
I don't deserve them at all.
Believe me (conscience is a guarantee),
Marriage will be torture for us.
As much as I love you,
Having got used, I will stop loving immediately;
Here Onegin admits that his soul is dead for love, he is not capable of love. The rejected Tatyana was offended in her best feelings. She did not talk to anyone about her feelings, but she became even sadder and paler. And even relatives began to pay attention to it.
Tatyana's name day and duel
Onegin's character was fully manifested during Tatyana's name day. Once at a noisy party, he was seriously angry with Lensky, who deceived him, saying that only "his own" would be at the celebration. Onegin began to flirt with Olga, not caring about what feelings could arise in the girl's heart, what Tatyana and Vladimir felt at that moment.
Lensky left the party furious. And Onegin, believing that he had achieved his goal, lost interest in Olga and soon also went to his place.
Was Onegin an insidious villain? Of course not. He understood that the duel to which Lensky challenged him was complete nonsense, and even thought about reconciliation with Vladimir. But he turned out to be Lensky's second, whose sharp tongue Onegin was still afraid of. No matter how arrogantly Onegin behaved with the local landowners, public opinion about him still worried him. He came to the duel, not particularly caring about the observance of the article. As a second, he brought a "good fellow", who was not a nobleman.
Onegin was not a well-aimed shooter, and he shot almost without aiming. It was a stray bullet, a fatal accident. Onegin did not want to kill Lensky. He just wanted to get it over with quickly.
After the duel, Eugene soon left the village.
Was there love?
Many years later, Onegin returned to St. Petersburg, and there, at a social event, he saw Tatiana. She grew up, from an angular, thin and pale girl turned into a beautiful secular lady. This transformation struck Onegin, he could not believe his eyes. But most of all he was struck by the way Tatyana looked at him. Like an empty place.
She asked,
How long has he been here, where is he from?
And not from their sides?
Then she turned to her husband
Tired look; slipped out...
This hurt our hero. Excitement flared up in him. He wanted to read the passion in her eyes again. But there was nothing like that.
Head
It is full of stubborn thought.
He looks stubbornly: she
Sitting calm and free.
It was not love for Tatyana that made him suffer and suffer, but the desire to read love in her eyes. The desire to conquer a woman who was respected in the world and bowed before. Most likely, the "hunter" woke up in him. And Tatyana understood this secret passion of Onegin. She understood and did not allow Onegin to enjoy his victory over her.
She doesn't notice him
No matter how he fights, even die.
Accepts freely at home
Away with him says three words,
Sometimes he will meet with one bow,
Sometimes they don't notice at all.
In the second half of the 19th century, such a concept as “superfluous people” appeared in Russian literature. Most often, superfluous people were personified by nobles who were not engaged in socially useful activities, and lived as rentiers on what the peasants gave from corvée. Boredom and idleness has become feature these people. They did not serve at court, were not employed in the military or civil service. They were not interested in creativity. They wandered around balls and theaters, having fun with women who were just as devastated in moral terms. The active energy of these people was not directed towards creation, and it easily turned against them, turning into evil.
Literary critics noticed that it was Eugene Onegin who became the first image. He was rich, smart and very nice, but involuntarily became a murderer. His life is empty.
>Characteristics of heroes Eugene Onegin
Characteristics of the hero Eugene Onegin
Eugene Onegin - the main character of the novel of the same name by A. S. Pushkin, a young nobleman, a man with a complex and controversial character. Onegin was born and raised in St. Petersburg. He did not have a mother, and his father was a man, though rich, but frivolous and quickly squandered his fortune. After his death, all property went to creditors. Eugene was brought up by French tutors, who did not devote much time to the sciences. In return, they taught him to speak French, understand Latin, dance the mazurka, and recite epigrams. Well and quickly he mastered the "science of tender passion."
Onegin grew up rather selfish, unable to work, easily hurting the feelings of other people. Every day he attended theaters, balls and feasts. The next morning I basked in bed, and then again prepared to go out. Soon, from such monotony, the young man developed a blues. In order to somehow diversify his life, he tried to read books and study literary creativity. But this soon bored him too. Going to the village to the dying uncle, who bequeathed him a rich inheritance, he hoped to have a rest there from the bustle of the capital. The change of scenery pleased him, but here, too, he soon began to feel bored. Such was the nature of the young nobleman.
In the village, Onegin met Lensky, who later became his best friend, as well as with the Larin family. The meeting with Lensky opened up in him the possibility of true friendship hidden behind cold selfishness. And the meeting with the young Tatyana Larina touched something in his impoverished soul, but seeing the romantic nature of the girl, he did not dare to play with her feelings. In response to her letter of confession, he said that he could love her with the love of a brother and that family ties were not for him. Despite the fact that he was benevolent towards these two people, this did not bring him happiness. He accidentally killed Lensky in a duel, and Tatyana was married off to another and became a princess. At the end of the novel, he saw her in a different light and fell in love, but this time she refused him. This refusal entailed a revolution in all his thoughts and spiritual feelings.
The central character of "Eugene Onegin", a novel in verse, after which the work is named, a native of St. Petersburg, a young nobleman, spoiled by social evenings and receptions. He is single and is able to make a worthy party of any of the "elite" brides. Eugene's manners are not just good, they are "polished" to a shine. And it costs him nothing to turn the head of even the most selective lady.
Onegin is good-looking, courteous, educated, dressed in the latest fashion, and closely follows appearance. Despite the fact that the hero has lived in the world for a little over a quarter of a century and is constantly in the circle of noisy friends, his existence is poisoned by a depressive state. This "noble" spleen is connected with the uncertainty in which Eugene lives. He gravitates towards a free, unencumbered life, but among the idle crowd he feels lonely. What he would like to devote his life to, the Pushkin hero does not yet know. Inconstancy in relations, parties, small talk, where the hero has no equal, he was rather tired of it. But in order to devote himself to hard work, Onegin is too lazy. Perhaps this is how the “crisis of 30 years” crept up to the young master.
Being at a crossroads, he comes to a deep province to enter into the inheritance left to him by his dying uncle. Eugene stays at a new estate. And from the unhurried village life, he begins to mope even more. To somehow unwind, he makes friends with a neighbor, a local romantic and poet Vladimir Lensky, who introduces him to the Larin family. Lensky is wooing their youngest daughter Olga. Onegin immediately notes that her older sister is much more interesting. Tatyana falls in love with a city guest literally from the first minutes of meeting. Brought up on French novels, the girl writes a letter to the chosen one of her heart on French where he confesses his love. But Eugene rejects the ardor of the girl, because he understands that such a party as Tatyana Larina was created exclusively for relationships in marriage. The hero is not yet ready to marry.
Some time later, Lensky brings Onegin to a party at the Larins' house. Tatyana's name day is being celebrated. Eugene gets bored, gets angry at his young friend and dances and flirts with his fiancee for "humorous" revenge. Lensky, out of jealousy, challenges the city slicker to a duel. The joke turns into a tragedy - a young poet dies during a duel. Onegin leaves the village and goes on a long journey.
Returning to St. Petersburg two years later, the hero meets Tatiana at a ball, now a married lady. Continuing to love him, the girl agreed to marry a rich man, Prince N. Now she is cold and impregnable for Onegin. Seeing her different, Eugene realizes that he is in love. He writes and sends letters to Tatyana, but does not receive answers. Having achieved a personal meeting, Onegin ardently confesses his love. But the "new" Tatyana firmly refuses him, explaining that he was late, and she will never break her oath of allegiance to her husband. The hero remains alone and hears the steps of Prince N approaching.
Onegin quotes
We all learned a little
Something and somehow
So education, thank God,
It's easy for us to shine...
You can be a good person
And think about the beauty of the nails...
Who lived and thought, he cannot
Don't despise people in your heart...
The less we love a woman,
The easier it is for her to like us
And the more we ruin it
Among seductive nets...
But pitiful is the one who foresees everything,
Whose head is not spinning ...
Dashing fashion, our tyrant,
The disease of the newest Russians...
And so public opinion!
Spring of honor, our idol!
And that's what the world revolves on!...
Moscow ... how much in this sound
Merged for the Russian heart!
How much he resonated! ...
Talking too often
We are happy to accept...
Blessed is he who was young from his youth,
Blessed is he who has matured in time...
Give you forbidden fruit
And without that, paradise is not paradise for you ...
Love for all ages...
I thought: liberty and peace
replacement for happiness.
My God! How wrong I was...
The fate of the people, which worried A. S. Pushkin and M. Yu. Lermontov, became a source of inspiration for N. V. Gogol. In his story, Gogol managed to recreate the epic power and greatness of the struggle of the Ukrainian people for their national independence and, at the same time, reveal historical tragedy this fight.
The epic basis of the story "Taras Bulba" was the national unity of the Ukrainian people, which was formed in the struggle against foreign enslavers, as well as the fact that Gogol, depicting the past, rose to a world-historical point of view on fate
Whole people. Gogol illuminates with deep sympathy heroic deeds Cossacks, creating the heroically powerful characters of Taras Bulba and other Cossacks, showing their devotion to their homeland, courage, breadth of nature. Taras Bulba is the main character of the story. This is an exceptional personality, which reflects best qualities not some separate group, but the entire Cossacks as a whole.
This is a powerful man - with an iron will, a generous soul and indomitable hatred for the enemies of his homeland. According to the author, behind Taras Bulba, the national hero and leader, stands “the whole nation, for the patience of the people has run out, it has risen to avenge the ridicule of its rights.” With his feats of arms, Taras has long earned the right to rest.
But around the sacred borders of his land, a hostile sea of social passions is raging, and this does not give him rest. Above all, Taras Bulba puts love for the fatherland. The cause of the whole people becomes his personal affair, without which he cannot imagine his life. He also equips his sons, who have just graduated from the Kyiv bursa, to defend their homeland.
They, like Taras Bulba, are alien to petty selfish desires, selfishness or greed. Like Taras, they despise death. These people have one great goal - to strengthen the partnership that unites them, to protect their homeland and faith.
They live like heroes and die like giants.
The story "Taras Bulba" is a folk-heroic epic. In the fates of her main actors one of the largest events in the history of the Russian land is recreated. Before the story of N.V. Gogol, there were no such bright, expressive and powerful people from the people's environment in Russian literature as Taras Bulba, his sons Ostap and Andriy, and other Cossacks.
In the face of Gogol, Russian literature took a huge step forward in portraying the people as a mighty force. historical process.
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- There are not many works that reveal the life of the people of Ukraine, especially the life of the Cossacks on the territory of the Zaporozhian Sich. But it is so important to know how our ancestors lived, what they ate, to whom they prayed, what they fought for and what they valued. It is very important to understand the attitude of our ancestors to life and death, to honor and dishonor. Without awareness of the past, we will never be able […]
- In the story "Taras Bulba" N.V. Gogol glorifies the heroism of the Russian people. The Russian critic V. G. Belinsky wrote: “Taras Bulba is an excerpt, an episode from the great epic of the life of an entire nation.” And N.V. Gogol himself wrote about his work as follows: “Then there was that poetic time when everything was mined with a saber, when everyone, in turn, strove to be [...] ...
- The genre is a historical story. On the background historical events that actually took place in the 15th-17th centuries is realistically described everyday life Zaporozhye Cossacks. The events of more than two centuries are recreated in one story, in the fate of one hero. Important role the folklore basis of the story plays, the description of landscapes, interiors. The plot is the meeting of Taras Bulba with his sons. Ostap and Andriy arrived home for [...] ...
