Barto Agnia Lvovna, whose biography will be discussed in detail in this article, is famous throughout the post-Soviet space for her wonderful children's poems. However, few people know that the poetess was also engaged in translations, wrote screenplays and even was a radio host.

Childhood

Barto Agnia was born on February 17, 1906. The biography of the writer says that her childhood years were very joyful. The girl was born into an intelligent family. Her father, Lev Nikolaevich, worked as a veterinarian, and her mother, Maria Ilyinichna, raised her daughter and ran the household.

Agnia (nee Volova) was born in Moscow, where she spent her childhood and youth. She always remembered her father especially warmly. Lev Nikolaevich often went on business trips, but on those rare days when he was at home, he spent a lot of time with his beloved daughter, read Krylov's fables to her, and taught her to read. It was he who instilled in Agnia a love of literature. His first serious gift was a biography book "How L. N. Tolstoy lived and worked."

The poetess had somewhat conflicting feelings for her mother. On the one hand, she loved her, on the other, she admitted that she considered her a capricious and lazy woman who constantly puts off things for tomorrow. The nanny, who came from the village, and the governess, who taught the girl French, took care of the child.

Academic years

Agnia Barto (photo and biography are presented in this article) received an excellent home education, led by her father. Lev Nikolaevich hoped that his daughter would become a ballerina, so she danced for many years, but she did not show talent in this area. But Agnia began to write poetry already in childhood. Akhmatova became the standard for her. Nevertheless, she did not give up ballet and combined these classes with gymnasium classes.

The first critic for Agnia was the father. He was very strict about her poetic tests and did not allow his daughter to neglect the style and poetic sizes. He especially scolded her for the fact that she often changed sizes in the lines of one verse. However, it is precisely this feature of Barto's poetry that will later become distinctive.

The revolutionary events and the Civil War did not particularly affect the fate of the girl, as she lived in the world of ballet and poetry. After the gymnasium, Agnia went to the Choreographic School, which she graduated in 1924. These were hungry years, and the future poetess, despite her fifteen years of age, went to work in a store where they gave out herring heads, from which they cooked soup.

Final exam

The biography of Agnia Barto is replete with happy accidents ( summary the life of a poetess can be made up of many unexpected coincidences). So, at the ballet school, the graduation test was approaching, at which Lunacharsky himself, the people's commissar of education, was supposed to be present. The program included a final exam and a concert prepared by the graduates. At the concert, Agnia read her poems, it was a humorous sketch "Funeral March". Lunacharsky remembered the young poetess and after some time she was invited to the People's Commissariat for Education. The People's Commissar personally talked with Agnia and said that her vocation was to write humorous poems. This offended the girl very much, since she dreamed of writing about love. Therefore, Barto did not listen to Lunacharsky and entered the ballet troupe, in which she worked for a year.

The path of the poetess

She was forced to give up her career as a ballerina Barto Agnia, the biography of the writer changed dramatically after working in a theater troupe. The girl realized that the dance is not hers. And already in 1925 the first book of the poetess was published - "Chinese Wang Li", and then the collection of poems "The Thief Bear". By this time she was only 19 years old.

Barto very quickly gained fame, but this did not save her from her natural shyness. It was she who prevented the girl from meeting Mayakovsky, whose poems she adored. At the same time, books with her poems for children were published one after another: “Toys”, “Following flowers in the winter forest”, “Bullfinch”, “Boy on the contrary”, etc.

1947 was marked by the release of the poem "Zvenigorod", the heroes of which were children whose parents died during the war. To write this work, Barto visited several orphanages, talked with their pupils, who told her about their lives and the dead families.

Creation

In her poems, Barto Agnia spoke with children in their language. The biography of the poetess indicates that she had no creative failures. Perhaps the reason for this was her attitude towards the kids, as peers. That is why each of us is familiar with her poems and remember them by heart. It is with the works of Barto that a child first gets acquainted, and then tells them to his children.

Few people know that Agnia was also a screenwriter. In particular, she wrote scripts for the following well-known films:

• "Ten thousand boys".
• Alyosha Ptitsyn develops character.
• "Foundling".
• "Elephant and Rope".

For her works, Barto received several government awards. Among them are the Stalin (1950) and Lenin (1972) prizes.

Foreign trips and war

Barto Agnia has been abroad several times (the biography confirms this). It first happened in 1937. The poetess ended up in Spain, where hostilities were taking place. Here she witnessed terrible pictures and heard the stories of mothers who lost their children forever. Already in the late 30s, the writer went to Germany, which seemed like a toy. However, from the slogans and Nazi symbols, I realized that the Soviet Union could not avoid war.

During the Great Patriotic War, Barto did not want to evacuate the capital and was going to work on the radio. However, her second husband, a specialist in power plants, was sent to the Urals, and he took his family with him - his wife and two children. Despite this, the poetess found the opportunity to come to Moscow and record programs for the All-Union Radio. In the capital, Barto lived in her apartment and somehow came under bombardment. Her house was not damaged, but she saw the destruction of the neighboring one and remembered it for a long time.

At the same time, she repeatedly asked to be enrolled in the army, and at the end of the war her wish was granted. Agnia was sent to the front, where she read her children's poems to the soldiers for a month.

Personal life

Not so lucky in her personal life as in her work was Agniya Barto. A short biography that tells about her family is full of irreparable losses and grief.

For the first time, the poetess married Pavel Nikolaevich Barto at the age of 18, and it was under his last name that she became famous. He was a writer and initially worked with Agnia. They composed the following works: "Girl-Revushka", "Counting" and "Girl Dirty". In 1927, a boy was born to the couple, who was named Edgar, but Agnia always affectionately called him Garik. The birth of a child did not save the marriage, and after 6 years the couple broke up. Presumably, the reason was the creative success of the poetess, which her husband refused to recognize.

The second marriage was much more successful. Andrey Vladimirovich Shcheglyaev, who was considered one of the best power engineers of the USSR, became the chosen one. Representatives of various creative professions often gathered in their house: directors, writers, musicians, actors. Among Barto's friends were Faina Ranevskaya and Rina Zelenaya. Andrei and Agnia loved each other, their life together went well. Soon they had a daughter, who was named Tatyana.

On May 4, 1945, a terrible tragedy occurred in the family - a car hit Garik, who was riding a bicycle. The seventeen-year-old youth died instantly. In the first months after the funeral, Agnia was cut off from reality, ate almost nothing and did not talk to anyone. The poetess devoted her further life to her husband and the upbringing of her daughter and grandchildren.

In 1970, Barto was waiting for another blow - her husband died of cancer. The poetess survived him for 11 years and left this world on April 1, 1981.

Agnia Barto (biography): interesting facts

Here are some notable events from the life of the poetess:

• All Barto's documents indicate that she was born in 1906. But in fact, Agnia was born a year or two later. The inaccuracy in the dates is not a mistake of bureaucrats; the writer added extra years to herself so that she was hired, since in those years there was a terrible famine in the country.
• The poem "Zvenigorod" is remarkable not only for its popularity and themes. Immediately after its publication, Agnia received a letter written by a woman who had lost her daughter at the beginning of the war. Some parts of the poem seemed familiar to her and she had the hope that in orphanage the poetess was talking with her child. It soon became clear that this was the case. Mother and daughter reunited after a 10-year separation.
• In her youth, Agnia was in love with Mayakovsky. It was the words of the poet that you need to write only for children that prompted the girl to choose such a poetic fate.

Agnia Barto: biography for children

It is better to start a story about the life of a poetess for kids from her childhood. Tell about parents, ballet classes and dreams. Then you can move on to poetry. It is desirable here to recite a few verses of Barto. It would be useful to mention foreign trips and bring Interesting Facts. You can focus on the communication of the poetess with children. It is better not to touch personal life - it is rarely interesting for schoolchildren.

Finally, you can talk about how you spent last years Agnia Lvovna Barto of her life. A biography for children should not be replete with dates.

04.02.1906 - 01.04.1981

Russian poetess

(real name Volova) Biography of Agnia Barto

Agniya Barto was born on February 4 (17), 1906 in Moscow in the family of a veterinarian. She received a good home education, which was led by her father. She studied at the gymnasium, where, experiencing the creative influence of A.A. Akhmatova and V.V. Mayakovsky, began to write poetic epigrams and sketches. At the same time, she studied at the choreographic school, where A. Lunacharsky came to the graduation tests and, after listening to Barto's poems, advised her to continue writing.

In 1925, her first poems "Chinese Wang Li" and "The Thief Bear" were published. They were followed by The First of May (1926), Brothers (1928), after the publication of which, K.I. Chukovsky noted outstanding talent Barto like a children's poet. Some poems were written jointly with her husband, the poet P.N. Barto (The Dirty Girl and The Ryushka Girl, 1930).

After the publication of a cycle of poetic miniatures for the smallest "Toys" (1936), as well as poems "Flashlight", "Mashenka" and others, Barto became one of the most famous and beloved by readers of children's poets, her works were published in huge editions, were included in anthologies. The rhythm, rhymes, images and plots of these poems turned out to be close and understandable to millions of children.

Agniya Barto wrote scripts for the films The Foundling (1940, together with actress Rina Zelena), Alyosha Ptitsyn Develops Character (1953), 10,000 Boys (1962, together with I. Okada). Her poem "The Rope" was taken by the director I. Fraz as the basis for the concept of the film "The Elephant and the Rope" (1945).

During the years of the Great Patriotic War Barto was evacuated in Sverdlovsk, went to the front with the reading of her poems, spoke on the radio, wrote for newspapers. Her poems of the war years (the collection "Teenagers", 1943, the poem "Nikita", 1945, etc.) are mainly of a journalistic nature. For the collection "Poems for Children" (1949), Agnia Barto was awarded the State Prize (1950).

The pupils of the orphanage are described in Barto's poem "Zvenigorod" (1948). For nine years, Barto hosted the Find a Man radio program, in which she searched for people torn apart by the war. With its help, about 1000 families were reunited. About this work, Barto wrote the story "Find a Man" (published in 1968).

In "Notes of a Children's Poet" (1976), the poetess formulated her poetic and human credo: "Children need the whole gamut of feelings that give rise to humanity." Numerous trips to different countries led her to the idea of ​​wealth inner world child of any nationality. This idea was confirmed by the poetry collection "Translations from Children" (1977), in which Barto translated from different languages children's poems.

For many years, Barto headed the Association of Literature and Art for Children, was a member of the international Andersen jury. In 1976 she was awarded the International Prize. H.K. Andersen. Barto's poems have been translated into many languages ​​of the world.

Barto Agnia Lvovna (1906 ─1981) - Soviet poetess and writer, composed works for children, wrote scripts for films, worked as a radio presenter.

Childhood

Agnia Barto (nee name Volova) was born on February 17, 1906.
Her parents were educated Jewish people. Dad, Lev Nikolaevich Volov, worked as a veterinarian. Mom, Maria Ilyinichna Volova (maiden name Bloch), ran the household and raised her daughter. Parents met and got married in the Baltic city of Kovno.

Agnia's uncle, mother's brother Grigory Ilyich Bloch, was a famous phthisiatrician and otolaryngologist, director of the Yalta Clinic of the Tuberculosis Institute. He was fond of writing children's educational poems, perhaps his niece went to his uncle.

Agnia was born in Moscow, where she spent her childhood and adolescence. With special warmth, she always remembered her father. Lev Nikolaevich loved his profession as a veterinarian too much, he often had to leave for Siberia on duty. But when he was at home and spent cozy evenings with his daughter, he read to her the works of his beloved I. A. Krylov, he knew almost all of his fables by heart.

The father loved literature and instilled this love in his daughter Agnia with early years. He took a book by L. N. Tolstoy with a larger font, showed his daughter the letters, taught him to read. He especially admired this writer, constantly re-read all his works. And the first serious gift from the father to his daughter was the book “How Lev Nikolayevich Tolstoy Lived and Worked”.

The poetess later recalled her mother as a lazy and capricious woman. If the mother had to do things that were not interesting to her, then she always put them off until the day after tomorrow, it seemed to her that it was still very far away.

Agnia Barto's entire childhood passed, as befitted in those days for a wealthy, intelligent family, with a nanny who came from the village; ─ a governess who spoke French; lunches with pineapple dessert on Sundays.

Education

Agnia received elementary education at home, his father led him, he adored art and dreamed that his daughter would become a famous ballerina. She was diligently engaged in dancing for a long time, but she did not show any particular talent in this matter.

But the girl began to write poetry from an early age. While studying at the gymnasium, Agnia and her girlfriends were fond of Akhmatova's poetry, they themselves tried to write. But not everyone succeeded. And Agnia did well, and not bad. Nevertheless, she did not give up ballet classes, she studied at the gymnasium and at the ballet school.

Papa was the first to listen and criticize Agnia. Here he showed all his severity, demanded that his daughter express herself correctly and observe poetic meters. And the young talent, as if on purpose, constantly changed size in the lines, her father called this stubbornness on her part. But after many years, it is precisely the change in size that will become the hallmark of Agnia Barto's poetic works.

Revolution and Civil War the life of a young girl was not particularly affected, she continued to live in her world of poetry and ballet. Later, someone will say about Barto: “She came to literature on pointe shoes”.

After the gymnasium, Agnia entered the choreographic school, which she graduated in 1924. She was hungry, and at the age of fifteen, along with her studies, the girl had to get a job in the Clothing store. The workers were given herring heads, and from them it was possible to cook soup.

Before graduation, she was especially worried, because after them she had to start a career in the world of ballet, and besides, the People's Commissar of Education Lunacharsky himself came to the exam. The program consisted of final exams and a concert prepared by students of the school. The People's Commissar looked through all the examination performances, and stayed for the concert.

And then a young beautiful black-eyed girl came on stage and read her own humorous poems called "Funeral March". At the same time, she was accompanied by a pianist, and Agnia herself took tragic, but at the same time funny poses. Lunacharsky liked the poems, he could hardly contain his laughter, and after a while Agnia was asked to go to the People's Commissariat for Education. Lunacharsky met with her and said that the girl was created in order to compose funny poems. It was at that moment that such words seemed offensive to her, because at a young age you dream of writing about love, and not being known as a comedian poet.

Therefore, a young, tall and graceful girl got a job in the Moscow theater, where she worked for about a year in a ballet troupe.

creative path

However, Lunacharsky turned out to be right: somehow he managed to see in the young ballerina the makings of a great poet.

And already in 1925, Agnia Barto's first book "Chinese Wang Li" was published, followed by a collection of poems "The Thief Bear". She was only 19 years old when she entered the world that she dreamed of as a young schoolgirl - the world of poetry. Silver Age.

Agnia quickly became popular, but this fact did not add her courage in any way, she was extremely shy. Barto adored Mayakovsky's work, but when she had the chance to meet the poet, she never got the courage to approach him and start a conversation. And when she decided to read her poem to Korney Chukovsky, she said that the author was a five-year-old boy. Perhaps it was shyness that helped Barto to live life without having enemies. She never pretended to be a smarter person than she really is, did not get involved in near-literary squabbles, and was always aware that there was still much to be learned in life.

Children's poems seemed to flow from her like a river, collections came out one after another:

• "Boy on the contrary";
• "Toys";
• "Brothers";
• "Bullfinch".

In 1947, her poem “Zvenigorod” was published, where Agnia Lvovna talked about children who lost their parents during the war. The poetess visited an orphanage in the Moscow region, talked with children who told her about how they lived before the war, who their parents were. All these childhood memories resulted in a poem, which was destined for a special purpose.

When the whole country was already reading the poem "Zvenigorod", Agnia Lvovna received a letter from a woman who had lost her daughter at the beginning of the war. Some of the fragments depicted in the poem from children's stories seemed familiar to the woman, and she began to hope that in that orphanage Agniya Barto communicated with her daughter. In fact, this is what happened: mother and daughter met after 10 years of separation thanks to the poem "Zvenigorod".

Soviet magazines and newspapers wrote about this story, and Agniya Barto began to receive letters from people who had lost their relatives during the war. This is how the idea of ​​the program “Find a Person” was born, which Agniya Barto hosted at the Mayak radio station for 9 years.

Agniya Barto is the only children's poetess who, with her poems, speaks to children in their mother tongue like a peer. She has a very easy style. And it’s not for nothing that “Our Tanya is crying loudly”, “A bull is walking, swinging”, “They dropped the bear on the floor” are present in the life of every child, like the first steps and words, like the first teacher and school bell. She is the first writer a child meets, and then, growing up, she certainly introduces her poems to her children and grandchildren.

Barto also wrote screenplays for such well-known films as:

• "Foundling" (1939);
• "Elephant and Rope" (1945);
• "Alyosha Ptitsyn develops character" (1953);
• "10,000 Boys" (1961).

Creativity Agnia Barto was deservedly noted by the government.

In 1950, for the book Poems for Children, she received the Stalin Prize, and in 1972, for the collection For Flowers in the Winter Forest, the Lenin Prize.

War

Barto traveled abroad a lot with Soviet delegations. In 1937, she happened to visit Spain, where the war was already going on. A terrible picture appeared before her eyes: destroyed houses and orphaned children. Agniya was especially shocked by a Spanish woman who wanted to show her a photo of her son, but constantly covered his face with her thumb, explaining that the baby's head had been torn off by a shell. Agniya then wrote to her friend in a letter: “How and with what words can you describe the feelings of a mother who outlived her child?” And in a few years, she will have to answer this terrible question herself ...

And at the very end of the 30s, she went to Germany, saw with her own eyes this neat, as if toy country, blond German girls in dresses with a Nazi swastika, heard Nazi slogans and realized that the war of the Germans with Soviet Union inevitable.

When the war began, Agniya Barto was not going to evacuate from Moscow. She wanted to work on the radio and make at least some small contribution to the overall victory over the Nazis.

But her second husband Andrei Vladimirovich was sent to the Urals as a specialist in power plants. He took his family with him - Agniya Barto with two children. From there, the poetess often traveled to the capital, made recordings for the All-Union Radio, read her children's poems. Here she stayed in her Moscow apartment, and once while she was in it, a bomb hit the neighboring house and destroyed it in front of Agnia.

She constantly asked for active army and by the end of the war she had achieved her goal. Agnia Barto was sent to the front for one month, where she read leaflets with her children's poems to the fighters. And they, who had seen the views of men, who had blood and death before their eyes every day, listened to the poetess and cried, because her poems reminded them of children.

Personal life

The first time Agnia got married very early, at the age of 18. Recently she had a grief, her father died. And, perhaps, the first spouse to some extent occupied the empty niche that had formed in her life.

Pavel Nikolaevich Barto was a writer, and together they composed three works: "The Smutty Girl", "The Counting Girl" and "The Ryushka Girl".

But the marriage was not for life. In 1927, the Barto couple had a boy, Edgar, whom they affectionately always called Garik, and six years later Agnia and Pavel divorced. Perhaps this marriage turned out to be too early, or perhaps the reason for the separation was the professional success of the poetess, which Pavel Barto did not want to accept.

She went to a man who turned out to be her soulmate, destined by fate, ─ Andrei Vladimirovich Shcheglyaev. He was a fairly well-known power engineer and was one of the the best specialists USSR on gas and steam turbines. At that time, he worked as a dean at the power engineering faculty of the Moscow Power Engineering Institute. They said about him that this is the most beautiful dean in the Soviet Union.

Writers and actors, musicians and directors often gathered in their house. Absolutely non-conflict Agnia literally attracted people different kind creativity. Among the close friends of Agnia Barto were Rina Zelyonaya and Faina Ranevskaya.

Agnia and Andrey loved each other very much and lived happy life, a girl Tatyana was born in marriage, who is now the main custodian of the poetess's heritage.

The children of Garik and Tanya were raised by the nanny Domna Ivanovna, the same one from the village who once came to Moscow to work and ended up in the Volovs' house with the little girl Agnia. Until the end of her days, she later lived with Agnia Lvovna and her family, even when the children became adults, helped to manage the household and became almost a member of their friendly family (nanny Domna Ivanovna did not have her own husband and children).

On May 4, 1945, Agnia Barto suffered an irreparable grief. It was a sunny and bright spring, the whole country was looking forward to victory. Son Garik, a seventeen-year-old wonderful boy, returned from school earlier than usual. Nanny Domna Ivanovna was a little late with dinner, and the boy decided to ride a bicycle. A truck that drove around the corner hit Garik, he fell, hit his temple on the curb and died instantly.

There was no beloved, such a beautiful and affectionate son, incredibly capable in the sciences and music. Agnia completely immersed herself, for her food, sleep, conversations, and indeed the whole the world. Victory Day passed by her, which she was waiting for very much. Did she remember the Spanish woman in those days, could she find words to describe the feelings of a mother who had lost her son?

She devoted her entire future life to her beloved husband, daughter and grandchildren, and, of course, to the children for whom she wrote poetry.

In 1970, doctors diagnosed an oncological disease in the wife of Andrei Vladimirovich, again Agniya Barto lost the most valuable thing in life. She lived 11 years longer than her husband and died on April 1, 1981. She was buried in Moscow at the Novodevichy cemetery.

Daughter Tatyana followed in her father's footsteps, graduated from the Energy Institute, candidate of technical sciences.

Agnia Lvovna Barto

(1906 - 1981),

writer, poet, translator

Agnia Lvovna Barto was born in Moscow on February 17, 1906. Here she studied and grew up. She recalled about her childhood: “The first impression of my childhood was the high voice of a hurdy-gurdy outside the window. For a long time I dreamed of walking around the yards and turning the handle of the hurdy-gurdy so that people attracted by music would look out of all the windows.

In her youth, Agniya Lvovna was attracted to ballet, she dreamed of becoming a dancer. Therefore, she entered the choreographic school. But several years passed, and Agniya Lvovna realized that poetry was the most important thing for her. After all, Barto began to compose poetry in early childhood, in the first grades of the gymnasium. And the first listener and critic of her work was Father Lev Nikolaevich Valov, a veterinarian. He was very fond of reading, he knew by heart many of Krylov's fables, he valued Leo Tolstoy above all. When Agnia was very small, he gave her a book called "How Lev Nikolayevich Tolstoy Lives and Works." With the help of this and other serious books, without a primer, my father taught Agnia to read. It was the father who demandingly followed the first verses of little Agnia, taught how to write poetry “correctly”. And in 1925 (then Barto was only 19 years old) her first book was published. The poems were immediately liked by the readers.

Agnia Lvovna wrote not only poetry. She has several movie scripts. These are Foundling (together with Rina Zelena), Elephant and Rope, Alyosha Ptitsyn develops character, Black Kitten, Ten Thousand Boys. And many of Barto's poems became songs: "Amateur fisherman", "Lyoshenka, Lyoshenka", "Useful goat", etc.

Agnia Lvovna visited many countries, met with children, and from everywhere brought poems of “little poets” - as she jokingly called them. Thus was born an unusual book called "Translations from Children". These are poems by Agnia Barto, written on behalf of the children she met during her trips.

Agnia Lvovna devoted her whole life to children's poetry and left us many wonderful poems. The poetess died at the age of 75 in 1981.

Every child in our country knows the poems of Agnia Barto (1906-1981). Her books were printed in millions of copies. This amazing woman devoted her whole life to children.
Agnia Lvovna Barto was born in Moscow in the family of a veterinarian. She began writing poetry in primary school gymnasium. She dreamed of becoming a ballerina, she graduated from a choreographic school.
She became a writer thanks to a curiosity. A. V. Lunacharsky was present at the graduation tests at the school, where Barto read her poem "Funeral March". A few days later, he invited her to the People's Commissariat of Education and expressed confidence that Barto was born to write funny poems. In 1925, at the State Publishing House, Barto was sent to the children's editorial office. Agnia Lvovna set to work enthusiastically. She studied with Mayakovsky, Chukovsky, Marshak.
During the Great Patriotic War, Barto spoke a lot on the radio, went to the front as a newspaper correspondent. In the postwar years, Agnia Lvovna became the organizer of the movement to search for families separated during the war. She suggested looking for lost parents on childhood memories. Through the program "Find a person" on radio "Mayak" it was possible to connect 927 separated families. The first book of the writer's prose is called "Find a Man".
For my writing and social activities Agniya Barto has been repeatedly awarded orders and medals. She traveled a lot abroad, helped children's international friendship. The writer died on April 1, 1981, having lived a long and such people need life.
The style of her poems is very light, they are easy to remember. The author, as it were, speaks to the child in a simple everyday language - but in rhyme. And the conversation is with young readers as if the author is their age.